A Freudian Perspective of Shakespeares Macbeth Essay -- GCSE English

Macbeth A Freudian Perspective Macbeth and Lady Macbeth We may take as an example of a person who collapses on reaching success, after nervous strain for it with single-minded energy, the protrude of Shakespeares Lady Macbeth. Beforehand there is no hesitation, no sign of either internal conflict in her, no crusade only when that of overcoming the hesitate of her ambitious and yet tender-minded husband. She is ready to sacrifice correct her womanliness to her murderous intention, without reflecting on the decisive part which this womanliness must(prenominal) play when the question afterwards arises of preserving the aim of her ambition, which has been attained through a crime. Analytic work has no difficulty in showing us that it is forces of conscience which forbid the subject to gain the long-hoped-for advantage from the fortunate transpose in reality. It is a difficult task, however, to discover the essence and origin of these assessment and punishing trends, which so often surprise us by their macrocosm where we do non expect to find them. For the usual reasons I shall not discuss what we know or conjecture on the point in relation to cases of clinical observation, but in relation to figures which great writers exhaust created from the wealth of their knowledge of the mind. We may take as an example of a person who collapses on reaching success, after striving for it with single-minded energy, the figure of Shakespeares Lady Macbeth. Beforehand there is no hesitation, no sign of any internal conflict in her, no endeavour but that of overcoming the scruples of her ambitious and yet tender-minded husband. She is ready to sacrifice even her womanliness to her murderous intention, without reflecting on the decisive part which this womanl... ... Die Braut von Messina, III v. Strachey and Tyson (eds.). Endnote 2 cf. Macbeth, Act III, sc. IUpon my head they placed a fruitless crown,And aim a barren sceptre in my gripe,Thence to be wrenched wit h an unlineal hand,No son of mine succeeding ... Endnote 3 As is Richard IIIs wooing of Anne beside the bier of the tabby whom he has murdered. Endnote 4 Freud had already suggested this in the first edition of The variation of Dreams (1900), Standard Edition, IV 266. Strachey and Tyson (eds.). Endnote 5 This does not appear to have been published. In a later paper on Macbeth Jekels (1917) barely refers to this theory, apart from quoting the display paragraph. In a still later paper, on The Psychology of Comedy, Jekels (1926) returns to the subject, but again very briefly. Strachey and Tyson (eds.).